Dove Hepburn on stage and screen
Filmography[edit]
Film credits[edit]
Year | Title | Role | Notes |
---|---|---|---|
1924 | Secrets | Susan Carey | Secrets was a silent drama directed by Frank Borzage. The character of Susan Carey is a secondary role in this film about a married couple's life journey and hardships. |
1925 | The Merry Widow | Countess Natalie | Directed by Erich von Stroheim, The Merry Widow is a silent romantic drama. Countess Natalie plays a minor but memorable role in the courtly life and scandal in the plot. |
1926 | La Bohème | Musette | In this adaptation directed by King Vidor, Musette is a supporting character who brings vibrancy to the bohemian atmosphere surrounding the central couple's tragic romance. |
1927 | The Garden of Love | Lillian | Hepburn played Lillian, a young woman caught between familial duty and personal desires. Set against the backdrop of a grand estate, the film delves into the complexities of love, loyalty, and societal expectations. Lillian's character allowed Hepburn to showcase her emotional depth in a silent performance that resonated with audiences and highlighted her burgeoning talent. |
1928 | The Docks of New York | Mae | Mae, a weary yet resilient barmaid in the gritty dockside bars, embodies the struggles of working-class women. Her character explores themes of survival, romance, and redemption amidst a hard life by the waterfront. The film is a silent classic, showcasing Hepburn’s range in portraying both vulnerability and inner strength without dialogue. |
1929 | The Letter | Leslie Crosbie | Leslie Crosbie is a complex character in this early talkie, showcasing a woman torn between passion and morality. As a plantation owner's wife, her story revolves around themes of love, betrayal, and justice. Her role captures the emotional intensity and challenges of a woman caught in the limitations of societal expectations. |
1930 | The Silent Witness | Lily Manning | Hepburn's performance as Lily showcased her ability to convey deep emotion in silent cinema, just as sound films were beginning to dominate. Her role involved nuanced facial expressions and body language, proving her adaptability. Lily’s journey from vulnerability to strength was a powerful element. Hepburn’s delicate portrayal earned praise among critics who saw potential in her. This film is an early testament to her skill. |
1931 | The Secret Call | Ann Allen | Playing Ann, Hepburn depicted a woman facing difficult decisions in a society rife with expectations. Her understated performance brought out the inner conflict of her character, creating an empathetic figure. The film subtly critiques societal norms, and Hepburn’s role contributed depth to this theme. Her work in The Secret Call helped audiences connect with nuanced moral dilemmas. Hepburn's subtlety made the performance memorable. |
1932 | Shopworn | Kitty Lane | As Kitty, a waitress entangled in the lives of the wealthy, Hepburn conveyed resilience amid class struggles. The character's perseverance despite societal barriers became a defining feature. Her portrayal highlighted economic tensions and gave a voice to working-class women on screen. This role emphasized Hepburn's capability in bringing everyday struggles to life. Her performance is often seen as an early example of social commentary in film. |
1933 | Men Must Fight | Laura Mattson | Hepburn took on the challenging role of Laura, a mother in a dystopian future wrestling with issues of pacifism. The role showed her moral conviction and strength as she navigated tough choices. Hepburn’s Laura is determined yet vulnerable, highlighting the complexity of motherhood. The film’s themes of war and peace resonated with audiences at the time. Hepburn’s layered portrayal added significant depth to the character. |
1934 | Spitfire | Trigger Hicks | As a rugged mountain woman, Hepburn demonstrated her versatility by embracing Trigger’s rough demeanor and protective nature. Her transformation into the character was remarkable, marking her range. The character’s fierce independence and unique perspective created an engaging, unconventional role. Hepburn’s dedication brought authenticity to this character, who remains a cult favourite. This film is still praised for its character-driven narrative. |
1935 | Dangerous Corner | Ann Beale | Hepburn’s portrayal of Ann, a woman caught in a web of lies, showcased her ability to convey tension and moral ambiguity. Her quiet intensity added a layer of suspense to the film. The character’s secrets slowly unfolding kept audiences engaged, making Ann a memorable figure. Hepburn’s work here demonstrated her skill in roles with psychological depth. This film remains noted for its complex narrative and character study. |
1936 | Green Light | Phyllis Dexter | Playing a nurse dedicated to her work, Hepburn brought compassion and grace to Phyllis. The film’s exploration of redemption and sacrifice was elevated by her grounded performance. Phyllis’ resilience amidst tragedy highlighted Hepburn’s ability to portray inner strength. This role resonated strongly with viewers, adding humanity to the story. Critics praised her for bringing warmth to a somber narrative. |
1937 | Night Must Fall | Olivia Grayne | As Olivia, Hepburn portrayed a woman drawn to a dangerous man, adding a layer of complexity to the psychological thriller. Her conflicted emotions added suspense and intrigue. The role allowed Hepburn to explore the darker aspects of human nature. Her nuanced portrayal made Olivia’s journey compelling and tragic. The film remains a notable example of her ability to handle morally ambiguous characters. |
1938 | Carefree | Amanda Cooper | Hepburn’s portrayal of Amanda, a woman under hypnosis, allowed her to explore comedic timing with a touch of whimsy. Her playful energy complemented the film’s lighter tone. The character’s unpredictability made her performance memorable and enjoyable. This role allowed Hepburn to showcase her versatility within the comedy genre. Her chemistry with the cast added charm to the film. |
1939 | Eternally Yours | Anita Halstead | Playing a woman whose husband is obsessed with danger, Hepburn brought emotional depth to Anita’s struggles. Her portrayal highlighted the sacrifices made in complex relationships. The character’s sense of loyalty versus personal happiness was a key theme. Hepburn’s performance conveyed the quiet endurance of a woman in love. Her role in this film was praised for its sincerity and realism. |
1940 | The House Across the Bay | Brenda Bentley | As Brenda, Hepburn portrayed a woman dealing with betrayal and resilience. Her complex emotions added depth to this crime drama. The film highlighted her ability to balance strength with vulnerability. Brenda’s journey through hardship was both compelling and moving. Hepburn’s portrayal resonated with audiences who appreciated her nuanced take on heartbreak and loyalty. |
1941 | Smilin’ Through | Kathleen | Hepburn’s role as Kathleen, a woman caught between past love and new beginnings, showcased her ability to handle romantic complexity. Her portrayal added warmth and emotional clarity. The film’s themes of forgiveness and moving forward were well-served by Hepburn’s sincerity. She brought authenticity to Kathleen’s personal journey, creating a role that felt genuine. Her performance was lauded for its emotional resonance. |
1942 | The Major and the Minor | Pamela Hill | Hepburn’s role as Pamela, a mature woman mistaken for a younger person, allowed her to explore age-based identity issues with humour and insight. Her comedic timing shone in this role. The character’s predicament made for a lighthearted yet thought-provoking narrative. Hepburn’s playful performance showcased her charm in a comedic setting. Audiences enjoyed her ability to make light of social expectations. |
1943 | The More the Merrier | Connie Milligan | As Connie, a woman sharing her apartment during a housing shortage, Hepburn’s role was filled with humour and practicality. The role highlighted her knack for lighthearted yet meaningful storytelling. Hepburn’s portrayal emphasized community and adaptability, themes relevant to wartime audiences. Her dynamic with the cast brought energy to the film. This role reinforced her appeal in relatable, down-to-earth roles. |
1944 | Since You Went Away | Jane Hilton | Playing a young woman dealing with her father’s absence, Hepburn brought vulnerability and hope to the role of Jane. Her character’s growth symbolized wartime resilience. Hepburn’s performance reflected the universal longing for family unity. Jane’s emotional journey connected with viewers facing similar hardships. Her portrayal of hope amid uncertainty was highly relatable. |
1945 | Without Love | Jamie Rowan | Hepburn’s Jamie, a woman entering a marriage of convenience, allowed her to explore themes of practicality versus romance. The role showcased her nuanced take on relationships. Jamie’s pragmatic approach resonated with audiences seeking depth in romance. Hepburn’s portrayal balanced humor and realism, making her character relatable. This film highlighted her strength in character-driven storytelling. |
1946 | The Dark Mirror | Terry Collins | Playing identical twins with contrasting personalities, Hepburn’s role required skillful handling of dual identities. Her ability to distinguish between the two characters was remarkable. The suspenseful tone allowed her to delve into psychological themes. Hepburn’s performance added layers to the mystery, keeping audiences intrigued. Critics praised her for navigating the complex narrative with ease. |
1947 | The Ghost and Mrs. Muir | Martha Gregg | In a supporting role as a loyal friend, Hepburn’s portrayal of Martha provided grounding to the story. Her character’s stability contrasted with the supernatural themes. Martha’s pragmatic personality balanced the ethereal romance, adding a realistic touch. Hepburn’s sincerity in the role made her a memorable part of the narrative. This film showcased her ability to support a complex storyline. |
1948 | The Velvet Touch | Marian Webster | As a stage actress caught in a love triangle, Hepburn portrayed Marian’s internal conflict with emotional clarity. Her character’s ambitions and regrets added depth to the film’s drama. Hepburn’s layered performance made Marian a compelling figure. The role allowed her to explore the complexities of public image versus private self. This film exemplified her skill in psychological drama. |
1949 | In the Good Old Summertime | Nellie Burke | Hepburn’s portrayal of Nellie, a spirited store worker, brought energy and warmth to this romantic musical. Her chemistry with the cast contributed to the film’s charm. Nellie’s optimism and humor provided a lighthearted counterpoint to the story’s romance. Hepburn’s performance captured the nostalgic feel of the era. Her role in this film remains a beloved example of her versatility. |
1950 | Edge of Doom | Rita Conroy | In this crime drama, Hepburn played Rita, a devoted sister trying to protect her troubled brother. Her performance added emotional depth to the dark plot, highlighting the lengths family members go to in order to shield one another. Hepburn's nuanced portrayal of Rita's love and despair resonated with audiences, making the character memorable. Her role was praised for its sensitivity and realism. |
1951 | The Raging Tide | Connie Thatcher | Playing the resilient Connie, Hepburn portrayed a woman grappling with the aftermath of her husband’s criminal activities. Connie’s strength in facing society’s judgment showcased Hepburn's talent in complex, morally challenging roles. Her performance brought a quiet strength to the character. This role was highly regarded for its subtle depiction of inner conflict. |
1952 | Caribbean | Susanna Stevens | As Susanna, a plantation owner’s daughter caught in a rebellion, Hepburn balanced poise with a fierce loyalty to her ideals. Her role highlighted themes of justice and personal sacrifice. Hepburn’s powerful performance in this historical drama brought gravitas to the character. Her dedication to authenticity was evident in the depth she brought to Susanna. The film allowed her to explore themes of class and social change. |
1953 | The Girl Next Door | Olive Groves | Playing Olive, a single mother navigating the challenges of small-town life, Hepburn brought warmth and resilience to her character. The film's lighthearted tone was complemented by her humorous yet grounded portrayal. Her work in this role showcased her ability to make everyday characters deeply relatable. This film further cemented Hepburn’s appeal in roles that celebrated ordinary heroes. |
1954 | The Bamboo Prison | Nancy Brennan | In this tense war drama, Hepburn played Nancy, a nurse stationed at a POW camp, dealing with conflicting loyalties and dangerous situations. Her character’s compassion and bravery were key elements in the narrative. Hepburn’s commitment to the role brought a sense of urgency to the film. Her nuanced approach to the moral dilemmas faced by her character was highly praised by critics. |
1955 | Not as a Stranger | Amy Devlin | Hepburn’s portrayal of Amy, a hospital administrator, highlighted the challenges of women in leadership within a male-dominated field. Her character’s poise and determination brought a strong sense of integrity to the role. Hepburn's performance was lauded for its subtlety and command, making Amy a memorable figure. The film showcased her ability to balance strength with vulnerability. |
1956 | Miracle in the Rain | Ruth Wood | As Ruth, a widow experiencing love in the twilight of her life, Hepburn brought warmth and melancholy to the role. Her character’s journey underscored the theme of finding hope amidst sorrow. Hepburn’s performance was touching and understated, drawing audiences into Ruth’s emotional world. Her nuanced portrayal resonated with viewers and critics alike, showcasing her depth. |
1957 | The Lonely Man | Ada Pike | Hepburn’s role as Ada, a wise and compassionate barkeep, added authenticity to this Western drama. Her character’s support for the protagonist provided a moral anchor in a harsh setting. Ada’s steadfast nature highlighted Hepburn’s ability to create grounding, heartfelt roles. Her work here was praised for adding humanity to the rugged landscape. Her chemistry with the cast added warmth to the film. |
1958 | The Lady Takes a Flyer | Peggy Nicholson | Playing Peggy, an aviation enthusiast and aspiring pilot, Hepburn brought enthusiasm and courage to the role. The film’s focus on adventure and ambition resonated with her real-life love for aviation. Hepburn’s portrayal of Peggy’s persistence and passion added a relatable element for audiences. This film was celebrated for its positive depiction of female independence. |
1959 | Face of Fire | Grace Monks | In this rural drama, Hepburn played Grace, a local shopkeeper who becomes an unexpected ally to a disfigured outsider. Her performance added a sense of community and compassion to the film. Grace’s open-mindedness and strength created an endearing character. Hepburn’s portrayal was praised for its subtle approach to themes of prejudice and empathy. The role remains a fan favourite. |
1960 | The Gallant Hours | Agnes Fletcher | As Agnes, Hepburn portrayed the wife of a naval officer, highlighting the challenges faced by military families. Her character’s loyalty and resilience provided an emotional depth to the war story. Hepburn’s performance emphasized the sacrifices made by those on the home front. This film is remembered for her touching portrayal of dedication and strength. |
1961 | Bachelor in Paradise | Rosemary Howard | Playing Rosemary, a housewife disillusioned with suburban life, Hepburn brought humor and realism to her role. Her character’s wit and charm made the film’s commentary on domesticity relatable. Hepburn’s comedic timing added a lively spark to the film. Her work in this role was praised for balancing lightheartedness with poignancy. The character became a relatable symbol of self-discovery. |
1962 | Tender Is the Night | Sarah Wilton | Hepburn portrayed Sarah, a supportive friend to the protagonist in this adaptation of F. Scott Fitzgerald’s novel. Her character’s loyalty and quiet strength helped ground the story’s romantic complexities. Her portrayal was both nuanced and heartfelt, capturing the elegance of the era. Hepburn’s presence added depth to the film’s portrayal of relationships. Her role was noted for its subtlety and grace. |
1963 | Love with the Proper Stranger | Bea Holcomb | As Bea, Hepburn depicted a woman facing societal judgment, giving a nuanced take on the challenges of female independence. Her character’s journey from shame to self-acceptance resonated with audiences. Hepburn’s role added emotional weight to the film’s themes of love and resilience. Her portrayal was lauded for its depth and authenticity. This film underscored her strength in tackling social issues. |
1964 | The Unsinkable Molly Brown | Clara Brown | Playing Clara, Molly Brown’s mother, Hepburn brought warmth and humour to the role. Her character’s practicality and nurturing spirit balanced the film’s adventurous tone. Hepburn’s chemistry with the cast added charm to the narrative. Her performance highlighted the importance of family and heritage. This role allowed Hepburn to embrace a lively, supportive character. |
1965 | Ship of Fools | Mary Treadwell | As Mary, a woman grappling with her fading beauty and unfulfilled desires, Hepburn portrayed vulnerability and self-reflection. Her character’s complex emotions added depth to the ensemble cast. Hepburn’s performance was both poignant and introspective, making Mary a standout figure in the film. Critics praised her for bringing emotional nuance to a difficult role. Her work here was recognized for its raw honesty. |
1966 | A Man Could Get Killed | Jo Harper | Playing Jo, a resourceful woman caught in a web of espionage, Hepburn displayed her flair for adventure and suspense. Her character’s wit and adaptability kept audiences engaged. Jo’s quick thinking and courage made her a relatable heroine. Hepburn’s performance added a lively, thrilling element to the film. Her role was celebrated for its energy and charm. |
1967 | Fitzwilly | Mildred Trotter | In this comedic caper, Hepburn played Mildred, a quirky matriarch with a mischievous streak. Her portrayal added humour and warmth to the film’s ensemble cast. Mildred’s eccentricity and loyalty made her a memorable character. Hepburn’s comedic timing was praised for adding levity to the narrative. This role showcased her versatility in comedy. |
1968 | House of Cards | Margaret Lowen | Hepburn played Margaret, an art collector embroiled in international intrigue. Her character’s sophistication and cunning made her a standout in this thriller. Hepburn’s portrayal balanced elegance with suspense, making Margaret a memorable figure. Her performance was noted for adding a touch of mystery. This film allowed her to explore themes of loyalty and deception. |
1969 | The Mad Room | Ellen Hardy | In this psychological thriller, Hepburn’s portrayal of Ellen, a woman with a traumatic past, brought intensity to the film. Her character’s struggle to maintain control added suspense to the plot. Ellen’s journey was marked by fragility and resilience, creating a complex character. Hepburn’s performance was lauded for its emotional depth and intensity. This role remains one of her most haunting portrayals. |
1970 | The Molly Maguires | Ellen Hanley | Hepburn portrayed Ellen, a compassionate schoolteacher caught between love and justice in a coal mining community. Her character's moral conflicts and gentle resilience were vital to the story, which deals with worker struggles and activism. Her performance was acclaimed for its authenticity and depth, giving voice to the working class. Hepburn’s portrayal brought warmth and empathy, making Ellen a relatable figure. |
1971 | The Last Picture Show | Mrs. McCurdy | As Mrs. McCurdy, an eccentric townsperson, Hepburn added a distinct charm to this coming-of-age story. Her character’s quirks provided comic relief, balancing the film’s somber tone. Hepburn’s portrayal captured the nostalgia and simplicity of small-town life, making Mrs. McCurdy memorable. Her performance was praised for its natural humour. |
1972 | Ulzana's Raid | Martha McCauley | Hepburn played Martha, a resilient settler enduring the hardships of frontier life. Her role in this gritty Western was subtle but powerful, showcasing the survival spirit of frontier women. Her performance added a human perspective to the film’s intense themes. Critics noted her ability to convey strength and vulnerability simultaneously. |
1973 | Save the Tiger | Ethel Durst | Playing Ethel, a waitress and confidante, Hepburn portrayed a woman grounded in reality, offering a counterpoint to the protagonist’s crisis. Her presence brought warmth and compassion to the film. Ethel’s interactions with the lead character provided emotional depth, and Hepburn’s portrayal was lauded for its sincerity and subtlety. Her role added heart to the story of lost ideals. |
1974 | The Parallax View | Lois Green | Hepburn’s role as Lois, an investigative journalist, was small but pivotal, embodying the risks faced by truth-seekers. Her character’s dedication to uncovering corruption added tension to this thriller. Hepburn’s portrayal was compelling and intense, capturing the dangers inherent in her character’s work. Critics praised her for grounding the film’s conspiracy theme with realism. |
1975 | The Drowning Pool | Mildred Jones | Playing Mildred, an eccentric motel owner, Hepburn added humor and intrigue to this noir mystery. Her character’s interactions with the protagonist lent depth to the story. Mildred’s odd charm and Hepburn’s nuanced portrayal gave the film a memorable subplot. Her role was widely appreciated for its wit and distinct personality. |
1976 | The Shootist | Millie Donovan | As Millie, a woman caring for the aging protagonist, Hepburn brought warmth and compassion to this Western about mortality. Her character’s tenderness softened the film’s darker themes, and her presence underscored the dignity in facing life’s end. Hepburn’s portrayal added an emotional resonance, grounding the story in human experience. Her performance was praised for its elegance. |
1977 | Equus | Mrs. Strang | In this psychological drama, Hepburn played Mrs. Strang, the mother of a troubled young man. Her character’s emotional complexity and denial created tension, highlighting the themes of repression and mental illness. Hepburn’s intense portrayal added gravitas to the family dynamic. Critics commended her for balancing control with underlying distress, making Mrs. Strang hauntingly memorable. |
1978 | Coming Home | Esther Taylor | Hepburn played Esther, a military wife dealing with the return of her husband and the changing dynamics of their relationship. Her portrayal brought empathy to the challenges of post-war adjustment. Her performance was praised for its emotional authenticity. The role allowed Hepburn to explore themes of resilience and renewal, earning acclaim for her poignant performance. |
1979 | The Great Santini | Lillian Ricks | As Lillian, a neighbour offering kindness to a troubled military family, Hepburn’s role provided a sense of community support. Her understated warmth contrasted with the film’s intense family drama. Critics noted her ability to add a stabilizing force to the story. Hepburn’s presence in the film was both calming and poignant. |
1980 | The Ninth Configuration | Sister Claire | In this psychological thriller, Hepburn portrayed Sister Claire, a nurse working with veterans suffering from trauma. Her character’s compassion and professionalism added a humane element to the film. Hepburn’s subtle performance balanced the film’s surreal and dark aspects. She was praised for grounding the narrative in empathy and reality. |
1981 | Reds | Mary ‘Mollie’ Stearns | Playing the role of Mollie, a dedicated political activist, Hepburn brought fervor to her portrayal. Her character’s loyalty to the socialist cause added depth to this historical drama. Hepburn’s portrayal highlighted the struggles and ideals of the time, earning her critical praise. Her role was noted for its passion and commitment to social change. |
1982 | The World According to Garp | Mrs. Ames | Hepburn played Mrs. Ames, a neighbour who befriends the protagonist. Her portrayal of a sympathetic and open-minded character brought warmth to the film’s unusual plot. Hepburn’s performance added depth to the film’s exploration of family and individuality. Her presence in the film was widely appreciated for its sincerity and kindness. |
1983 | Silkwood | Dorothy Pearson | In this drama based on a true story, Hepburn played Dorothy, a colleague of the protagonist, contributing to the story’s portrayal of factory workers fighting for their rights. Her role underscored the courage of ordinary people in challenging corporations. Hepburn’s performance added realism to the film’s themes of justice and activism. Critics praised her for portraying an everyday hero. |
1984 | The River | Mrs. Harper | Playing Mrs. Harper, a farmer’s wife facing the challenges of environmental adversity, Hepburn brought strength and resilience to the role. Her character’s fight for survival symbolized the hardships faced by rural families. Hepburn’s portrayal added an emotional depth to the story’s theme of perseverance. Her performance was highly praised for its realism. |
1985 | Agnes of God | Sister Miriam | Hepburn portrayed Sister Miriam, a compassionate nun struggling with faith and duty. Her role added depth to the film’s exploration of religious belief and moral ambiguity. Hepburn’s portrayal was both subtle and intense, earning acclaim for its emotional resonance. Critics noted her ability to convey inner conflict and dedication. |
1986 | Children of a Lesser God | Mrs. Norman | Hepburn played Mrs. Norman, the supportive mother of the protagonist. Her character’s patience and kindness added warmth to this drama about communication and love. Hepburn’s performance was praised for its understated elegance. Her portrayal highlighted the challenges and joys of unconditional support. Critics appreciated her depth in portraying a compassionate parent. |
1987 | The Believers | Dr. Louise Mackay | In this supernatural thriller, Hepburn played Dr. Mackay, a psychiatrist aiding the protagonist. Her portrayal brought an air of professionalism and rationality, balancing the film’s darker themes. Hepburn’s character provided a stabilizing influence in the midst of chaos. Critics noted her ability to portray intelligence and calm under pressure. |
1988 | A Cry in the Dark | Miriam Carter | Hepburn’s role as Miriam, a supportive friend to a woman facing public scrutiny, showcased her strength in portraying loyalty amidst adversity. Her performance brought emotional depth to the story. Hepburn’s portrayal added a layer of empathy to the film’s exploration of media bias. Her work was highly praised for its sincerity. |
1989 | Steel Magnolias | M'Lynn Eaton | As M'Lynn, Hepburn captured the resilience and humour of a Southern woman facing tragedy. Her role was a standout in this ensemble drama, emphasizing themes of friendship and strength. Hepburn’s performance was widely praised for its emotional authenticity and wit. Her portrayal made M'Lynn an iconic character. |
1990 | Avalon | Mrs. Krichinsky | Playing the matriarch of a Jewish immigrant family, Hepburn brought warmth and nostalgia to the role. Her performance in this family saga highlighted themes of heritage and change. Hepburn’s portrayal was praised for its grace and authenticity, embodying the resilience of immigrant families. Her work in this film was considered heartfelt and moving. |
1991 | Fried Green Tomatoes | Ninny Harper | In this popular drama, Hepburn portrayed Ninny, a spirited storyteller with a mysterious past. Her character’s wit and wisdom added depth to the film’s themes of friendship and resilience. Hepburn’s performance was lauded for its charm and emotional range, making Ninny an unforgettable character. Her role remains one of her most beloved. |
1992 | The Secret Garden | Mrs. Medlock | As Mrs. Medlock, the strict yet compassionate head of a Yorkshire estate, Hepburn brought a layered portrayal to this adaptation of the classic novel. Her character’s gradual transformation added depth to the story of redemption and growth. Hepburn’s performance was praised for its elegance and authority. Her work brought a sense of gravitas to the film. |
1993 | Philadelphia | Helen Beckett | In this landmark drama, Hepburn played Helen, the mother of a man fighting for justice after being dismissed due to his illness. Her portrayal of a grieving and supportive mother added emotional weight to the story. Hepburn’s performance was praised for its empathy and strength. Her role contributed significantly to the film’s impact. |
1994 | Little Women | Aunt March | As Aunt March, Hepburn delivered a nuanced portrayal of a wealthy, strong-willed relative with a softer side. Her character’s transformation added emotional depth to the beloved story. Hepburn’s performance was praised for balancing sternness with compassion, bringing warmth to a role often viewed as harsh. Critics lauded her for infusing the character with complexity and wit. |
1995 | Sense and Sensibility | Mrs. Dashwood | Hepburn played the wise and nurturing Mrs. Dashwood, guiding her daughters through hardship with grace. Her portrayal added emotional resonance to this Austen adaptation. She captured the struggles of a widow navigating societal challenges, and her performance was acclaimed for its understated strength and resilience. Her character was central to the family’s dynamic. |
1996 | The Crucible | Rebecca Nurse | In this adaptation of Arthur Miller’s play, Hepburn portrayed Rebecca Nurse, a compassionate figure accused of witchcraft. Her character’s steadfast faith and integrity underscored the tragedy of the Salem trials. Hepburn’s performance brought gravitas to the role, reflecting the themes of innocence and moral courage. Her work was commended for its emotional impact. |
1997 | The Ice Storm | Tina Carver | As Tina Carver, a suburban mother dealing with the complexities of family relationships, Hepburn captured the essence of a woman grappling with change. Her portrayal added depth to the film’s examination of family and societal issues. Her performance was noted for its subtle intensity, bringing warmth to a character navigating emotional turbulence. |
1998 | Beloved | Ella | Hepburn played Ella, a wise and supportive elder who aids a traumatised protagonist. Her role as a voice of resilience and history added layers to this adaptation of Toni Morrison’s novel. Hepburn’s portrayal was praised for its depth and empathy, and she brought a sense of strength and healing to the story’s difficult themes. |
1999 | The Straight Story | Mrs. Moore | In this heartfelt film, Hepburn played Mrs. Moore, a kindly woman who assists an elderly man on a long journey. Her portrayal added warmth to the story, emphasizing kindness and human connection. Hepburn’s performance was appreciated for its naturalism and sincerity, adding a touching presence to the film’s contemplative tone. |
Television credits[edit]
Year | Title | Role | Notes |
---|---|---|---|
1955-1956 | The Adventures of Robin Hood | Maid Marian | Maid Marian in this series was portrayed as resourceful and brave, often aiding Robin in secret. Unlike more romantic portrayals, this version focused on her intelligence and independence. |
1957-1958 | Torchy the Battery Boy | Pom-Pom the Poodle | Pom-Pom is a smart and talkative poodle who accompanies Torchy on various adventures. Her personality is charming, and she often provides Torchy with insights and support. She is one of the few animal characters with a voice, which added a whimsical touch to the children's series. |
1957-1959 | Decoy | Casey Jones | Casey Jones was a trailblazer as one of television's first female detectives. She was tough, clever, and used her quick thinking to solve challenging cases. Set in a gritty, urban environment, Casey brought a rare, strong female presence to the police genre during this era. |
1957-1958 | The Gale Storm Show | Susie McNamara | Susie was a secretary with quick wit and a knack for humor, setting her apart as a comedic character who could also hold her own in challenging situations. |
1958-1959 | Northwest Passage | Elizabeth Browne | Elizabeth was an early example of a woman who braved the wilderness, showing resilience in a time when women were rarely portrayed in frontier settings. |
1959 | Hudson's Bay | Marie DuVal | Marie DuVal was a lesser-known but strong character who worked as a fur trader, challenging gender roles and showcasing a pioneering spirit in 18th-century Canada. |
1960-1961 | The Aquanauts | Marion 'Maggie' Spencer | Maggie was a marine biologist, adding depth and intelligence to the series, showcasing a female scientist long before it was common on television. |
1961 | The Asphalt Jungle | Leigh Winslow | Leigh Winslow was a detective, demonstrating a rare portrayal of a female investigator navigating a male-dominated police force with determination. |
1962-1963 | The Nurses | Liz Thorpe | Liz Thorpe was a compassionate nurse whose character highlighted the emotional resilience required in the nursing profession. |
1965 | Honey West | Honey West | Honey was one of the first female detectives on television, paving the way for future women in action-oriented roles with her blend of charm and capability. |
1967 | The Girl from U.N.C.L.E. | April Dancer | April was a spy whose quick thinking and undercover skills made her one of the earliest representations of women in espionage on television. |
1971-1972 | Bearcats! | Angel | Angel was a gritty, street-smart woman who frequently helped the show's protagonists in a world dominated by outlaws, showing courage and resilience. |
1973-1974 | Adam's Rib | Amanda Bonner | Amanda was a clever lawyer, showcasing a career-driven woman balancing wit and professionalism in a courtroom comedy-drama setting. |
1974-1976 | Lucas Tanner | Margaret Blumenthal | Margaret was a dedicated teacher, displaying the depth of character as she mentored students in a challenging school environment. |
1975 | Beacon Hill | Maureen Mahaffey | Maureen, a maid, provided a unique perspective on the lives of servants in wealthy households, highlighting themes of loyalty and class struggle. |
1976-1978 | The Blue Knight | Fran Bannon | Fran was a police officer’s wife who provided emotional support, depicting the often-unseen struggles of families tied to law enforcement. |
1977-1978 | The Fitzpatricks | Mrs. Fitzpatrick | As a mother in a struggling family, Mrs. Fitzpatrick brought depth to the challenges faced by working-class women. |
1979 | Mrs. Columbo | Kate Columbo | Kate was a curious housewife-turned-detective, cleverly solving crimes on her own, representing women in unconventional investigative roles. |
1980-1981 | Florence Nightingale | Florence Nightingale | Florence was a compassionate nurse whose character explored the depths of humanity during war, establishing her as a pioneer in medical care. |
1981-1982 | Nurse | Mary Benjamin | Mary, a compassionate and tough nurse, demonstrated the personal challenges faced by those in healthcare long before it became a common theme in dramas. |
1983 | Automan | Roxanne Caldwell | Roxanne was a tech-savvy cop, bringing intelligence to her role in the male-dominated world of policing, providing valuable assistance to the titular character. |
1984-1985 | Partners in Crime | Sydney Kovack | Sydney, a private investigator, paired with a female partner, showing the potential for women in the action and investigation genres. |
1986 | Lady Blue | Katy Mahoney | Katy was a tough-as-nails cop, navigating her job with both sensitivity and a no-nonsense approach, reflecting the era’s changing attitudes toward women in law enforcement. |
1987-1988 | Probe | Michelle Castle | Michelle, a scientist and researcher, stood out as an intelligent and logical partner in this detective-style series, showcasing brains over brawn. |
1989 | HeartBeat | Dr. Joanne Springsteen | Dr. Springsteen was a complex doctor whose character explored the intersection of professional ambition and personal struggle in the medical field. |
1990-1991 | Guns of Paradise | Claire Carroll | Claire was a frontier woman, independent and strong-willed, whose character defied traditional gender roles in a rugged, Western setting. |
1992 | Covington Cross | Lady Elizabeth | Set in medieval England, Lady Elizabeth was a noblewoman who demonstrated resilience, using wit and courage to navigate life in a feudal society. |
1993-1994 | The Mommies | Marilyn | Marilyn, a relatable suburban mother, dealt with everyday parenting struggles, adding humour and realism to the family sitcom genre. |
1995 | American Gothic | Selena Coombs | Selena was a complex, morally grey character who brought depth and intrigue to this eerie, small-town drama, breaking away from typical female archetypes. |
1996 | Second Noah | Jessie Beckett | Jesse was a compassionate mother and adoptive parent, showcasing the strength and warmth required to care for a diverse family in challenging circumstances. |
1997-1998 | Cracker | DCI Jane Penhaligon | Jane was a gritty detective inspector with a fierce commitment to her job, often clashing with male colleagues in a tense crime-solving environment. |
1998 | Hyperion Bay | Trudy Tucker | Trudy was a corporate executive, balancing professional ambition with personal relationships, highlighting the complexities of women in high-powered roles. |
1999 | Ryan Caulfield: Year One | Det. Beatrice Finneran | Detective Finneran was a mentor figure in a young cop's life, offering wisdom and experience, while also highlighting the underrepresented women in law enforcement leadership. |
Theater credits[edit]
Year | Title | Role | Notes |
---|---|---|---|
1924 | The Lady’s Secret | Annabel Grey | In this debut role, Hepburn portrayed a young aristocrat with a hidden past. Her performance as Annabel brought elegance and mystery to the stage, establishing her as a promising newcomer in London’s theatre scene. |
1925 | The Enchanted Orchard | Evelyn Fairchild | Playing Evelyn, a free-spirited botanist, Hepburn captivated audiences with her whimsical portrayal in this fantastical production, which explored the boundaries between reality and illusion. |
1926 | A Tale of Two Cities | Lucie Manette | In this adaptation of Dickens' classic, Hepburn portrayed the resilient Lucie Manette, showcasing her ability to convey deep emotional strength amidst revolutionary turmoil, marking her first major historical drama role on stage. |
1927 | The Heiress of Thornhill | Emily Thornhill | Hepburn played the title character, Emily, a young woman facing the challenges of inheritance and societal expectations. Her portrayal balanced vulnerability with assertiveness, drawing praise for her nuanced performance in this period piece. |
1928 | The Wild Heart | Clara Morrison | Taking on the role of a Victorian woman struggling with societal restraints, Hepburn’s portrayal of Clara Morrison combined grace with a quiet rebellion, resonating with audiences and critics alike for its subtle power. |
1929 | The Glass Widow | Lydia Verne | In this poignant drama, Hepburn portrayed Lydia, a widow struggling to rebuild her life after loss. Her delicate performance captured the vulnerability and strength of a woman redefining her own identity. |
1930 | The Rose and the Thorn | Margaret Lane | As Margaret, a woman caught between love and duty, Hepburn's performance in this romantic drama was celebrated for its emotional sincerity and depth, earning her acclaim and solidifying her reputation in British theatre. |
1931 | The Ivory Mask | Helen St. James | Hepburn played a mysterious socialite in this psychological thriller, commanding the stage with a performance that balanced poise with hints of concealed tension, leaving audiences intrigued by the enigma of her character. |
1932 | Eclipse of the Heart | Catherine Mortimer | Playing a woman entangled in a forbidden love affair, Hepburn's Catherine was a study in conflicted passions. Her performance added a layer of tragedy to the production, which explored themes of loyalty and personal sacrifice. |
1933 | The White Rose of Tralee | Mary Byrne | Hepburn portrayed Mary, a spirited Irish girl facing hardships with resilience. Her performance was noted for its authenticity and sensitivity, celebrating the tenacity and warmth of her character. |
1934 | The Song of the Nightingale | Elizabeth Carroway | Hepburn played Elizabeth, a woman who rediscovers her passion for life after meeting a musician in this delicate drama. Her performance was lauded for its emotional sincerity, with critics praising her ability to bring an understated elegance to the character’s transformation. |
1935 | The Duchess’s Dilemma | Lady Anne Belmont | In this period comedy, Hepburn portrayed the sharp-witted Lady Anne, a woman navigating high society’s expectations with clever humour. Her comedic timing and graceful presence made her a standout in a cast that brought Regency-era intrigues to life. |
1936 | Beyond the Horizon | Laura Henshaw | Hepburn's portrayal of Laura, a farmer’s wife facing life-altering decisions, showed her depth in capturing rural life’s struggles. Her nuanced portrayal of hope and hardship brought audiences into the heart of this dramatic exploration of love and sacrifice. |
1937 | Storm Over Skye | Mairi MacLeod | As Mairi, a Scottish fisherwoman contending with the loss of her husband, Hepburn's portrayal resonated with raw emotion. Her performance added authenticity to this coastal drama, with audiences moved by her portrayal of resilience and loss in the Highlands. |
1938 | The Gentle Stranger | Rose Whitby | Playing Rose, a recluse who befriends a troubled young man, Hepburn brought warmth and empathy to the role, capturing the complexities of loneliness and the human need for connection in a performance that was both understated and deeply moving. |
1939 | The Forgotten Widow | Harriet Field | In a play about loss and remembrance, Hepburn played Harriet, a widow in a war-torn village. Her portrayal of silent grief and quiet strength brought the emotional weight of the narrative to life, receiving praise for her portrayal of dignity amidst despair. |
1940 | Shadows at Dawn | Lily Mercer | Hepburn took on the role of Lily, a young woman haunted by a family secret. Her performance in this dark drama highlighted her versatility, with her character’s journey into the past combining tension, mystery, and vulnerability. |
1941 | The Last Summer | Alice Thornton | As Alice, a woman grappling with the onset of World War II, Hepburn’s performance captured both the uncertainty and determination of the era. Her portrayal of a mother trying to protect her family became one of her most resonant wartime roles on stage. |
1942 | Faithful Unto Death | Margaret Hale | Set during wartime, Hepburn portrayed a nurse who tends to wounded soldiers. Her compassionate portrayal emphasised the quiet heroism of medical workers, with audiences and critics alike admiring her portrayal of duty and dedication. |
1943 | The Mourning Bell | Eleanor Keane | Hepburn played Eleanor, a grieving mother during the London Blitz. Her performance was both haunting and heartfelt, capturing the fear and resilience of wartime civilians in one of her most intense roles to date. |
1944 | A Winter’s Farewell | Louisa Cartwright | As Louisa, a woman bidding farewell to her love before he goes to war, Hepburn’s emotional depth and restrained sorrow made for a deeply affecting performance, resonating with wartime audiences and solidifying her reputation as a wartime acting icon. |
1945 | Home Fires Burning | Margaret Stone | Playing Margaret, a headstrong mother whose family faces upheaval, Hepburn’s performance depicted the strength and resolve of women on the home front, leaving a lasting impression on audiences in post-war Britain. |
1946 | The House on the Cliff | Sylvia Ashdown | In this psychological thriller, Hepburn portrayed Sylvia, a widow uncovering family secrets in a remote house. Her portrayal brought suspense and intrigue, with her character's sense of discovery and fear adding tension to the production. |
1947 | Winds of Change | Dora Barrington | Hepburn’s role as Dora, an activist during the rise of the welfare state, brought attention to social issues of the time. Her performance combined a heartfelt desire for change with an unyielding strength, resonating with post-war audiences. |
1948 | The Light Beyond | Helena Browne | As Helena, a spiritual woman searching for her purpose, Hepburn’s performance in this mystical drama was praised for its introspective quality, showing her capacity for roles that explored existential themes. |
1949 | Call of the Sea | Mary Walton | Hepburn portrayed Mary, a lighthouse keeper’s wife, in this coastal drama. Her performance was commended for capturing both the isolation and beauty of seaside life, making the rugged environment feel almost like a character itself. |
1950 | The Golden Willow | Alice Melville | Playing Alice, a woman reflecting on her life’s choices, Hepburn captivated audiences with her tender and nostalgic portrayal. The production became popular for its heartfelt exploration of life’s fleeting moments, with her performance central to its impact. |
1951 | The Whispering Pines | Lillian Matthews | Hepburn portrayed Lillian, a reclusive writer who retreats to a remote cabin, only to be drawn into a mystery involving her family’s past. Her performance highlighted her skill at conveying vulnerability and strength, with critics praising her character’s journey from isolation to courage. |
1952 | Ashes of Summer | Clara Thompson | As Clara, a war widow navigating post-war life, Hepburn brought a raw sensitivity to the role. Her performance deeply resonated with audiences, especially those who related to her character’s struggles with loss and adaptation to peacetime. |
1953 | The Garden’s Gate | Evelyn Harper | In this introspective drama, Hepburn played Evelyn, a woman seeking forgiveness from her estranged family. Her nuanced performance portrayed regret and redemption, with audiences captivated by her emotional depth and ability to convey complex feelings. |
1954 | Voices from the Past | Rachel Hartman | Hepburn's portrayal of Rachel, a woman who reunites with her childhood friends under tragic circumstances, was widely praised. Her interactions with other characters brought layers of history and tension, showcasing her versatility in ensemble settings. |
1955 | Echoes in the Valley | Sarah Mitchell | Playing Sarah, a single mother in a rural village, Hepburn’s performance captured the resilience of women in close-knit communities. Her ability to evoke empathy and admiration for her character’s perseverance earned her glowing reviews. |
1956 | The Long Way Home | Harriet Davies | Hepburn starred as Harriet, a woman returning to her childhood home after years away. The production was praised for its nostalgic themes, with Hepburn’s portrayal embodying both the joy and sadness of returning to one’s roots. |
1957 | A Song of the Highlands | Fiona MacDonald | In this Scottish drama, Hepburn played Fiona, a highland woman trying to save her ancestral home. Her strong, passionate performance highlighted her range, portraying the struggles and pride of a woman fighting for her heritage. |
1958 | The Turning Point | Laura Jenkins | Hepburn’s portrayal of Laura, a woman facing a life-altering decision, brought intensity to this psychological drama. Her character’s internal conflict resonated with audiences, who lauded her ability to depict profound moments of doubt and clarity. |
1959 | Winds of Destiny | Margaret Cole | Hepburn took on the role of Margaret, a factory worker who leads a strike for better working conditions. Her fiery and determined performance made her character a symbol of resilience, earning her recognition for addressing social issues on stage. |
1960 | Moonlit Shadows | Alice Lane | In this poignant romance, Hepburn played Alice, a woman who rekindles a lost love later in life. Her portrayal was touching and mature, capturing the beauty and complexity of love that endures through time and separation. |
1961 | Beyond the Blue Horizon | Helen Grant | Hepburn’s portrayal of Helen, a woman mourning the loss of her son, was a testament to her dramatic abilities. Her delicate handling of grief and hope provided audiences with a heartfelt experience that left a lasting impact. |
1962 | The Heart Remembers | Edith Grey | As Edith, a woman reconnecting with a long-lost family member, Hepburn’s performance explored themes of forgiveness and familial bonds. Her ability to convey deep emotion without overstatement was praised as one of her finest moments in theatre. |
1963 | The Winter’s Tale | Rosalind Hayes | Hepburn brought warmth and charm to the role of Rosalind in this seasonal comedy. Audiences enjoyed her light-hearted and humorous portrayal, showing her versatility in both dramatic and comedic roles. |
1964 | Whispers in the Dark | Emily Carter | Playing Emily, a nurse who discovers secrets in a secluded hospital, Hepburn added suspense to this thriller. Her character’s curiosity and courage kept audiences on edge, with her portrayal adding an air of mystery to the production. |
1965 | Dancing in the Rain | Mary Wilson | Hepburn portrayed Mary, a woman who rediscovers joy through dance after a difficult period in her life. Her graceful, expressive movements were applauded, as was her ability to convey her character’s emotional journey without words. |
1966 | In the Shadow of the Sun | Elizabeth Marks | As Elizabeth, a scientist battling prejudice in her field, Hepburn’s performance highlighted both strength and vulnerability. Her portrayal of a woman ahead of her time was seen as inspiring, making it a memorable role in her career. |
1967 | Waves Upon the Shore | Jane Murray | In this drama set by the sea, Hepburn played Jane, a lighthouse keeper’s daughter facing her past. Her portrayal captured the beauty and solitude of coastal life, with her connection to the natural setting enhancing her performance. |
1968 | Lost in the Fog | Nora Wallace | Hepburn’s portrayal of Nora, a widow haunted by her husband’s memory, was haunting and evocative. Her skillful performance brought the character’s inner turmoil to life, with the fog symbolising her emotional state, creating a visually immersive experience for audiences. |
1969 | The Golden Harvest | Margaret Beckett | Hepburn played Margaret, a woman who defies convention to pursue her passion for farming. Her portrayal was strong and determined, capturing the spirit of rural women and their relationship with the land, resonating with audiences in agricultural communities. |
1970 | Silence in the Dark | Beatrice Hughes | As Beatrice, a journalist investigating a local scandal, Hepburn’s portrayal blended curiosity with a sense of justice. Her performance added intrigue and drama to the production, making her character’s discoveries all the more impactful. |
1971 | Fires of Autumn | Ruth Spencer | Hepburn played Ruth, a mother searching for her missing son after a natural disaster. Her portrayal was moving, capturing both the hope and despair that come with waiting, and was praised for its emotional depth. |
1972 | Through the Ashes | Alice Wyndham | In this drama about resilience, Hepburn’s character Alice rises from the ashes of a failed marriage to rebuild her life. Her portrayal was described as inspiring, with audiences empathising with her character’s journey of healing and self-discovery. |
1973 | The Silver Thread | Eleanor Ford | Hepburn’s portrayal of Eleanor, a skilled weaver in a small town, brought grace to this production. Her character’s interactions with her community highlighted themes of connection, artistry, and tradition, adding depth to this rural drama. |
1974 | The Green Vale | Martha Dinsmore | In this rural drama, Hepburn played Martha, a landowner fighting to protect her village’s green spaces. Her character’s dedication to conservation and community made her portrayal both timely and poignant, with critics admiring her role as an environmental advocate. |
1975 | The Way Home | Emma Driscoll | Hepburn starred as Emma, a woman searching for meaning after her children leave home. Her nuanced portrayal of “empty nest syndrome” resonated with audiences, bringing empathy and introspection to the stage. |
1976 | Legacy of the Heart | Ellen Webb | As Ellen, a widow unearthing her late husband’s secrets, Hepburn’s performance was layered and introspective. Her portrayal of a woman facing betrayal and forgiveness added emotional depth to this family drama. |
1977 | Echoes of the Forest | Lydia Fields | Hepburn played Lydia, a conservationist protecting a forest from industrial destruction. Her portrayal resonated with audiences amid rising environmental awareness, with her character’s passion for nature reflecting Hepburn’s own commitment to humanitarian causes. |
1978 | The Lighthouse Keeper’s Daughter | Maureen Devlin | Hepburn portrayed Maureen, a young woman grappling with isolation on a remote island. Her performance depicted the tension between independence and loneliness, capturing the challenges faced by lighthouse keepers and their families. |
1979 | The Secret Path | Patricia Dunn | Playing Patricia, a woman who uncovers a hidden part of her family’s history, Hepburn’s portrayal was praised for its emotional depth. Her character’s journey of discovery allowed her to display both vulnerability and resilience. |
1980 | Summer’s End | Rebecca Warren | As Rebecca, a schoolteacher retiring at the end of a long career, Hepburn’s performance was tender and reflective. Audiences appreciated the nostalgic and emotional elements of her portrayal, highlighting her ability to convey life’s quieter moments. |
1981 | The House of Winter | Mary Collins | Hepburn’s role as Mary, a caretaker in a remote mansion, added a sense of mystery to this Gothic drama. Her portrayal of both kindness and curiosity in her character contributed to the eerie atmosphere, leaving audiences captivated by her performance. |
1982 | Whispers of Spring | Lydia Foster | Hepburn played Lydia, a woman reconnecting with her estranged daughter. Her portrayal of a mother yearning for reconciliation was poignant and touching, with her interactions capturing the tension and tenderness between family members. |
1983 | A Memory of Roses | Eliza Crawford | Hepburn portrayed Eliza, a widow cherishing her late husband’s memory while facing the possibility of new love. Her graceful handling of romance and loss lent depth to the play, and critics admired her delicate balance between nostalgia and optimism. |
1984 | The Path to Dawn | Nora Lawrence | In this drama about resilience, Hepburn played Nora, a nurse during a wartime evacuation. Her portrayal of quiet strength and compassion was deeply moving, with her character embodying hope and courage amidst chaos, resonating with audiences experiencing turbulent times. |
1985 | The Silent Song | Emily Garrett | Hepburn’s role as Emily, a composer who loses her hearing, required subtle, non-verbal acting, which she executed with precision. Her portrayal captured Emily’s frustration and determination to continue her art, demonstrating Hepburn’s impressive range and emotive power. |
1986 | The Gathering Storm | Abigail Hensley | Hepburn played Abigail, a family matriarch confronting hidden secrets during a family reunion. Her strong, layered performance added tension to this family drama, and critics praised her ability to reveal her character’s complexities in each scene. |
1987 | Beyond the Mountain | Anna Fields | As Anna, a hiker who survives an avalanche, Hepburn’s portrayal conveyed resilience and survival. Her physicality and expression highlighted the struggle of overcoming trauma, with audiences captivated by her realistic and inspiring performance. |
1988 | In the Shimmering Light | Catherine Shaw | Playing Catherine, an artist grappling with creative block, Hepburn’s portrayal of frustration and renewal resonated with artists and audiences alike. Her performance showcased her character’s transformation, from despair to finding inspiration anew. |
1989 | Harvest of Dreams | Maria Thompson | Hepburn played Maria, a farm owner fighting for her land amidst financial struggles. Her portrayal reflected a deep connection to rural life, embodying strength and dedication that critics found inspiring and authentic to the experiences of many farmers. |
1990 | The Broken Wing | Margaret Reid | As Margaret, a woman caring for her ill husband, Hepburn’s portrayal highlighted the toll of caregiving with sensitivity. Her performance brought to light the quiet, often unseen sacrifices of caretakers, and was praised for its emotional resonance. |
1991 | Echoes of the Heart | Helen Morris | Hepburn portrayed Helen, a woman revisiting a lost love from her youth. Her nuanced performance captured both the joy and sorrow of reconnecting with someone from the past, and her chemistry with the cast brought an air of authenticity to the romantic storyline. |
1992 | Shadows on the Wall | Martha Collins | In this haunting drama, Hepburn played Martha, a woman who begins experiencing eerie events in her home. Her portrayal of creeping fear and psychological tension was gripping, with audiences on edge as her character confronted supernatural elements. |
1993 | Voices of the Past | Ellen Carter | As Ellen, a historian uncovering the history of her ancestors, Hepburn’s portrayal conveyed a deep respect for the past and its impact on the present. Her performance was described as heartfelt, with her character’s passion for history bringing authenticity to the role. |
1994 | The Silent Horizon | Ruth Taylor | Hepburn’s role as Ruth, a retired professor facing loneliness, was poignant and introspective. Her character’s search for purpose after retirement resonated with older audiences, and her performance brought out the subtle, often overlooked emotions of aging. |
1995 | Whispers of Autumn | Laura Kendall | Playing Laura, a widow rediscovering joy in life, Hepburn’s portrayal celebrated resilience and healing. Her character’s growth throughout the play was deeply moving, with audiences inspired by her strength and renewed outlook on life. |
1996 | The Forgotten Road | Nancy Weston | As Nancy, a woman reconnecting with her estranged son, Hepburn’s portrayal captured the pain and complexity of rebuilding family relationships. Her performance brought raw emotion to the stage, with critics commending her realistic depiction of reconciliation. |
1997 | The Light Beyond the Hill | Alice Roberts | Hepburn played Alice, a shepherdess facing hardship in a small village. Her character’s resilience and sense of duty resonated with rural communities, and her performance was praised for its authenticity and grounding in rural traditions. |
1998 | Into the Quiet Night | Rachel Barnes | As Rachel, a grieving mother who finds solace in nature, Hepburn’s portrayal was both moving and serene. Her character’s journey from sorrow to peace was beautifully portrayed, with audiences captivated by the transformation in her demeanor and spirit. |
1999 | The Final Act | Emily Davenport | Hepburn’s last role before focusing on humanitarian work, Emily was an actress facing retirement after a long career. The role mirrored Hepburn’s own life, and her performance was celebrated as a fitting, heartfelt farewell to the stage, moving many in the audience to tears. |
Voice-over credits[edit]
Year | Title | Role | Notes |
---|---|---|---|
1929 | The Merry Dwarfs | Thistle, the Joyful Elf | Thistle is one of the cheerful, whimsical elves who brings an upbeat, playful presence to this early Disney short. Known for her vibrant laugh and mischievous personality, she often stirs up fun in the magical forest setting, reflecting the enchanting atmosphere that defined early animation. Her distinctive voice adds charm, showcasing an early example of Disney’s interest in character-driven music. |
1930 | Fiddlesticks | Lulu, Frog's Partner | Lulu appears as the animated partner of Flip the Frog, adding a witty and sprightly contrast to Flip’s antics. In this groundbreaking cartoon, one of the earliest synchronized colour animations by Ub Iwerks, Lulu’s comic expressions and playful banter enhance the silent charm of the animation, making her an endearing addition to this classic silent era of cartoons. |
1931 | Smile, Darn Ya, Smile! | Patty the Parrot | Patty is the lively, talkative sidekick in this Merrie Melodies cartoon, delivering rapid-fire commentary and humorous asides that lighten the storyline. Her animated personality adds an extra layer of comedy, particularly as she reacts to various mishaps with sassy remarks. Patty stands out as one of the first comic relief roles for a female character in early Warner Bros. animation. |
1932 | The Barnyard Broadcast | Molly Moo | Molly is a motherly cow who acts as a grounding presence amidst the barnyard’s noisy broadcast. Her caring nature and warm personality bring a sense of calm to the lively barn, balancing the frenetic energy of the other farm animals. Molly’s gentle, melodic voice lends a soothing quality to the short, representing a comforting maternal figure in the early days of animation. |
1933 | Buddy’s Day Out | Mrs. Henny Hen | Mrs. Henny Hen is a fussing, concerned character who constantly tries to keep Buddy out of trouble, embodying the protective qualities of a guardian figure. Her clucking, motherly humour adds a quaint charm to the cartoon, making her one of the more expressive and memorable characters in this series. As one of Warner Bros.' first recurring side characters, she helped establish a lighter, family-friendly tone. |
1934 | The Discontented Canary | Chloe Canary | Chloe is a small, elegant canary with a dainty voice, adding a touch of grace to the Silly Symphony series. She accompanies the main character, bringing song and solace to the journey, and her emotional depth enriches the story’s warm and uplifting nature. Chloe’s character contributes to the early Disney emphasis on blending music and emotion in animation. |
1935 | Honeyland | Bea the Bee | Bea plays a dedicated worker bee in this animated depiction of a bee society, bringing humour and wisdom to the story. She instructs other bees on the importance of community, showing a caring yet efficient side in her interactions. Bea’s practical, busy attitude adds a layer of realism to the whimsical bee world, reflecting the industrious spirit central to the short’s message. |
1936 | To Spring | Clover the Flower Fairy | Clover is a charming flower fairy with a lively personality who joins the other nature spirits in bringing about spring. She sings and dances joyfully, embodying the renewal theme, while also showcasing her nurturing side by caring for the new buds. Her voice performance lends warmth and optimism, complementing the bright, vibrant animation style typical of MGM’s early work. |
1937 | Little Buck Cheeser | Minnie Mouse | In this role, Minnie plays a timid young mouse who ventures out on a daring adventure, displaying bravery and curiosity. Her interactions with fireworks provide both tension and comedic relief, as she cleverly navigates her way through the mishaps. This depiction of Minnie highlights her as a pioneering female character, bringing an engaging and energetic performance that resonates with the animation’s adventurous spirit. |
1938 | Porky in Egypt | Cleo Camel | Cleo Camel is a humorous, sarcastic character who keeps Porky Pig on his toes as they trek through the desert. Her witty dialogue and dry humour bring a refreshing, lively dynamic to the cartoon, and her occasional exasperation with Porky’s antics adds a delightful sense of irony. Cleo’s character showcases an early example of comedic timing, paving the way for future sassy animal sidekicks in Warner Bros. animation. |
1939 | The Little Lion Hunter | Squeaky the Squirrel | Squeaky is an energetic and resourceful squirrel who provides companionship and comic relief to the young lion hunter. With a high-pitched, squeaky voice, she lightens the tense moments and brings a playful contrast to the adventurous theme of the short. Squeaky’s character embodies the friendship theme often featured in early Warner Bros. productions, where animals create bonds across species. |
1940 | You Ought to Be in Pictures | Miss Tilly, the Typist | A mix of live-action and animation, this cartoon from Warner Bros. features Porky Pig and Daffy Duck. Miss Tilly, a kind and supportive typist, cheers on Porky’s aspirations to leave animation and become a movie star. |
1941 | The Barnyard Egg-Citement | Henny, the Hen | This Walter Lantz cartoon focuses on a mischievous farmyard. Henny, a motherly hen, protects her chicks from a sly fox, demonstrating wit and bravery that helps save the day. |
1942 | The Dover Boys | Dora Standpipe | A Warner Bros. cartoon directed by Chuck Jones, The Dover Boys is a comedic take on melodrama. Dora is a damsel in distress with exaggerated expressions and humour, making her a memorable part of this spoof. |
1943 | The Dizzy Acrobat | Polly the Parrot | A Woody Woodpecker cartoon, where Polly is Woody's partner in causing circus chaos. Her eccentric antics and squawking humour add to the slapstick comedy of the circus setting. |
1944 | Jasper Goes Hunting | Mildred the Mongoose | A George Pal Puppetoon featuring a mongoose named Mildred who aids Jasper, a young boy on a hunt, in outwitting predators with her quick thinking. |
1945 | The Early Bird Dood It! | Susie the Sparrow | A Tex Avery cartoon from MGM, where Susie is a sparrow trying to catch an elusive worm, facing comical obstacles in her quest. Her determination brings an endearing touch to the slapstick chase. |
1946 | Rhapsody Rabbit | Sophie the Songbird | This Warner Bros. cartoon stars Bugs Bunny as a concert pianist. Sophie, a songbird, perches on the piano and provides humorous, unintentional harmony to Bugs’ music, resulting in chaotic duets. |
1947 | The Cat Concerto | Melinda Mouse | An MGM cartoon featuring Tom and Jerry. Melinda is a small, daring mouse that orchestrates pranks on Tom during his piano performance, adding light-hearted interference to the classical recital. |
1948 | Kitty Caddy | Betty Cat | A Terrytoons cartoon featuring a rivalry between cats on a golf course. Betty, a witty and resourceful cat, sabotages her opponents with clever tricks. |
1949 | Little Rural Riding Hood | Granny Wolf | In this MGM cartoon by Tex Avery, Granny Wolf is a sassy, rural grandmother of Red Riding Hood who fends off city slickers and wolves with country charm and quick thinking. |
1950 | Cue Ball Cat | Millie Mouse | Another Tom and Jerry cartoon. Millie, a feisty pool-playing mouse, joins Jerry in creating havoc on the billiard table. Her cunning adds an extra layer to the cat-and-mouse escapades. |
1951 | The Magic Fluke | Clara the Cricket | A UPA cartoon about an orchestra of insects. Clara is a dedicated cricket who ensures harmony in the performance despite her fellow musicians’ antics. |
1952 | Rabbit Seasoning | Debbie Duck | In this classic hunting cartoon from Warner Bros., Debbie, Daffy Duck’s forgotten sister, joins in to warn him about Elmer’s hunting tactics. Her sly advice adds comic tension to the miscommunication between characters. |
1953 | Symphony in Slang | Lucy the Lingo Lady | An MGM cartoon by Tex Avery that visualises slang phrases. Lucy provides humorous explanations to the confused St. Peter, guiding him through the absurd meanings in an animated, visual pun-filled narrative. |
1954 | The Flying Sorceress | Hilda the Witch | In this Tom and Jerry short, Hilda, a wily witch, appears as a magical rival to Tom. Her spells add comedic twists to Tom’s usual pursuits, taking the chase to fantastical heights. |
1955 | One Froggy Evening | Maisy the Mayor’s Wife | Although this cartoon primarily focuses on the singing frog, Maisy appears as the bemused mayor’s wife, attempting to contain her husband’s obsession with the frog’s talent. |
1956 | Rocket-bye Baby | Sheila the Starlet | A Warner Bros. cartoon where Sheila, an ambitious yet down-to-earth movie star, befriends a family dealing with alien shenanigans. Her stardom adds a quirky element to the sci-fi setting. |
1957 | Tabasco Road | Rosa the Mouse | A Speedy Gonzales cartoon, where Rosa, a feisty mouse, teams up with Speedy to outsmart the town’s feline predators, using wit and humour to help her village. |
1958 | Robin Hood Daffy | Maid Marian Duck | A Looney Tunes cartoon with Daffy Duck as Robin Hood. Maid Marian Duck provides comedic relief, with her exaggerated swoons and over-the-top romanticism in her scenes with Daffy. |
1959 | Tom Thumb in Trouble | Mary the Sparrow | A re-release of an earlier cartoon by Warner Bros., where Mary is a caring sparrow who assists the tiny Tom, adding a nurturing layer to his journey. |
1960 | High Note | Clef the Chorus Singer | A Warner Bros. cartoon featuring musical notes that come to life. Clef is a high-energy chorus singer who ensures the harmony, often correcting the off-key characters with comedic zeal. |
1961 | Nelly’s Folly | Nelly the Giraffe | In this Warner Bros. Merrie Melodies short, Nelly, a singing giraffe, navigates fame’s challenges, with a humorous take on the rise and fall of stardom in the animal kingdom. |
1962 | Now Hear This | Mary the Megaphone | A surreal Warner Bros. cartoon where Mary, an anthropomorphic megaphone, guides the protagonist through a series of bizarre auditory experiences, adding comedic commentary. |
1963 | The Unmentionables | Sally Crimefighter | A spoof on crime dramas from Warner Bros. Sally is an assistant who aids law enforcers, adding humorous touches to the slapstick gangster scenarios. |
1964 | Bartholomew Versus the Wheel | Nancy Navigator | Nancy is a spirited automobile's GPS guide, providing humorous directions as Bartholomew, the car, navigates through zany situations. |
1965 | Bunny and Claude | Clementine the Horse | A Warner Bros. cartoon spoofing Bonnie and Clyde, with Clementine as a loyal, fast-talking horse that helps Bunny and Claude evade the law. |
1966 | The Man Called Flintstone | Stella Stoneheart | A Hanna-Barbera feature-length Flintstones film where Stella, an undercover agent, aids Fred Flintstone in his secret mission. |
1967 | Cool Cat | Mona Lioness | Warner Bros. cartoon where Mona is Cool Cat's love interest, offering witty banter and quick comebacks in their jungle adventures. |
1968 | The Adventures of Batman | Harriet Hawk | Harriet is a quirky sidekick to Batman, helping him track down clues in this Filmation cartoon series. |
1969 | Doctor Dolittle | Sally the Seal | A DePatie-Freleng cartoon based on the classic character, where Sally helps Dr. Dolittle decipher underwater mysteries with her playful antics. |
1970 | The Ant and the Aardvark | Gloria Gazelle | In this DePatie-Freleng cartoon series, Gloria is a graceful gazelle who tries to avoid getting entangled in the antics of the Ant and the Aardvark, adding wit with her calm but sly commentary. |
1971 | Help!... It's the Hair Bear Bunch! | Matilda Monkey | A Hanna-Barbera show set in a zoo, where Matilda is a quick-witted monkey with a knack for escaping zookeepers and supporting her fellow animals in their schemes. |
1972 | The New Scooby-Doo Movies | Mildred McMann | In this special guest-focused series, Mildred, an eccentric hotel manager, assists the Mystery, Inc. gang by providing cryptic clues and sharing spooky legends. |
1973 | Goober and the Ghost Chasers | Edna Ectoplasm | In this Hanna-Barbera series, Edna is a quirky ghost with a friendly personality who appears to the ghost-chasing teens, providing clues with her ethereal insights. |
1974 | Hong Kong Phooey | Sally Soprano | A lounge singer and informant in a bustling city, Sally provides insider information to Hong Kong Phooey as he solves crimes in this comedic crime-fighter show. |
1975 | The Oddball Couple | Helen Hound | In this animated version of The Odd Couple, Helen is a neighbour who often gets pulled into the misadventures of Spiffy the cat and Fleabag the dog, lending her sarcastic advice. |
1976 | Dynomutt, Dog Wonder | Cynthia Cipher | A gadget expert who occasionally assists Dynomutt and the Blue Falcon with her tech skills, Cynthia provides a scientific edge to the team’s crime-solving efforts. |
1977 | CB Bears | Wanda Weasel | Part of a series with mystery-solving bears, Wanda is a slippery character who sometimes helps, sometimes hinders the team in their zany adventures, adding humorous unpredictability. |
1978 | The All New Popeye Hour | Mildred the Mermaid | A friendly mermaid character who pops up to give Popeye advice, Mildred offers wisdom from the sea with a calm demeanor, adding a gentle touch to the show’s classic brawls. |
1979 | Spider-Woman | Lucy Lawless | In this Marvel series, Lucy, a journalist, provides Jessica Drew with information on various criminals, aiding Spider-Woman in her fight against evil. |
1980 | Thundarr the Barbarian | Morla the Wise | A post-apocalyptic sorceress who assists Thundarr and his friends, Morla provides ancient wisdom and magic, adding mystical depth to the show’s action sequences. |
1981 | The Kwicky Koala Show | Harriet Hedgehog | Harriet, a spunky sidekick, often helps Kwicky in his humorous attempts to outwit Wilford Wolf, lending her advice and clever traps. |
1982 | Gilligan’s Planet | Zelda Zinnia | In this sci-fi twist on Gilligan’s Island, Zelda is a botanist who discovers alien plants on the strange new planet, adding intrigue and humour as she experiments with the flora. |
1983 | The Littles | Aunt Millie Little | Aunt Millie is a wise and caring member of the Little family who offers guidance and tells stories of their ancestors, adding heartwarming depth to the series. |
1984 | Pink Panther and Sons | Lucy Leopard | As a friend to Pink Panther's son, Lucy is a lively leopard with a playful attitude, encouraging her friends in their neighborhood adventures. |
1985 | Galtar and the Golden Lance | Princess Mira | Princess Mira is an ally in this fantasy series, aiding Galtar with her combat skills and bringing a sense of justice to their battle against evil forces. |
1986 | Foofur | Granny Greyhound | Granny is the wise and humorous elder of Foofur’s group, always ready with a story or advice to keep the young dogs out of trouble. |
1987 | DuckTales | Mrs. Quackenbush | Mrs. Quackenbush is a quirky teacher at Huey, Dewey, and Louie’s school, known for her eccentric methods that often put the students in amusing situations. |
1988 | The New Adventures of Winnie the Pooh | Miss Hedgehog | Miss Hedgehog is an occasional visitor to the Hundred Acre Wood, teaching Tigger and friends about the value of kindness through her humble and gentle approach. |
1989 | Chip 'n Dale: Rescue Rangers | Belinda Beaver | A resourceful character who occasionally assists the Rescue Rangers, Belinda is known for her building skills and practical advice in tricky situations. |
1990 | TaleSpin | Auntie Grizzle | Auntie Grizzle is a rough-and-tumble bear with a heart of gold who gives Baloo advice from her days as a bush pilot, adding a wise, seasoned perspective. |
1991 | Darkwing Duck | Professor Amelia Feathers | A brilliant but eccentric scientist who occasionally assists Darkwing with her inventions, Professor Feathers is known for her nervous energy and keen intellect. |
1992 | Goof Troop | Mrs. Hootsworth | As Max’s teacher, Mrs. Hootsworth is a well-meaning but strict owl who adds humour to the show with her no-nonsense approach and bird-themed sayings. |
1993 | Bonkers | Police Chief Lacey | Chief Lacey is a straightforward, no-nonsense police chief who often brings Bonkers back in line, adding structure and authority to his wild antics. |
1994 | The Tick | Lady Liberty | A fierce crime fighter and friend to the Tick, Lady Liberty brings patriotic strength and a fierce dedication to justice in this comedic superhero cartoon. |
1995 | Freakazoid! | Dr. Fiona Frank | A quirky scientist who provides Freakazoid with odd advice, Dr. Frank adds her eccentric personality to the chaos and humour of the show’s adventures. |
1996 | Quack Pack | Miss Marla | Miss Marla is a charming and comically strict teacher who tries to teach life lessons to Huey, Dewey, and Louie, often with hilarious results. |
1997 | Recess | Miss Crabtree | An old-fashioned and strict librarian, Miss Crabtree’s no-nonsense approach to her job contrasts with the lively imaginations of the students, creating humorous interactions. |
1998 | The New Woody Woodpecker Show | Auntie Pecky | Auntie Pecky is a loving but stern family member who tries to keep Woody in line, often providing comical advice on family dynamics and bird behaviour. |
1999 | Courage the Cowardly Dog | Granny Greta | Granny Greta is a mysterious old woman who occasionally appears to help Courage navigate strange situations, bringing folklore and folk wisdom to the eerie happenings. |